My Friends’ Scott and Amanda’s daughter, Chloe, recently sent me an artwork that she drew for me.
In return, I painted these 2 unicorns rearing at each other to put in a short art book.
-JD
I’ve returned to a collaboration with Toni Tiller, making conceptual images illustrating her dream narratives. She posts her dreams at www.http://lastnightsdreams.wordpress.com/page/2/.
This is a conceptual mixed media sketch on paper, one of a few I’ll make for her dream, posted on 3/17/13, “Doing yoga with a ninja”.
Tom Bennett
ink, alcohol-based ink, graphite, gouache on paper
It’s been so long since I’ve posted here I can’t even be sure I can identify myself. It’s like returning to my bedroom after sleeping in the woods for a few months.; it’s dark in here. A Power Outage happened in my brain, a cognitive outage. This is a return to a medium I’ve been fooling around with the last few years; a mix of alcohol-based ink, graphite, india ink and gouache.
Tom Bennett
Power Outage Redux, 2013, ink, graphite & gouache, 8 x 11.5
Polygons and Polyhedra Book 10, a set on Flickr.
Book 10 of 10 (I skipped a few sets since the last one I posted). All pages are 6″ x 4.25″, multi-media quilt.
I have several works in an upcoming group show in Brooklyn. The exhibition has a theme: Horses. Theme shows are sometimes iffy, but I have confidence this will be very good. These two mixed media monotype/paintings in progress are part of several final pieces I’m working on for this show. The first one is in a very unresolved stage.
A while ago an artist friend, Brian Piana took a masking tape piece I posted on Tumblr and turned it into a quick Gif animation. (I chose not to post the gif itself because it’s jarring on the same page as the Gif below.)
That, and some other artists I’ve seen on Tumblr playing with animation have made me want to learn about it. As such, I’ve been experimenting in my free time with some basic tests.
This is the most successful so far, made of 9 individual 4.5″ x 6″ cards of masking tape.
I still have a lot to learn to help myself automate and simplify the process so that basic animations look more smooth and don’t take an inordinate amount of time, but I have some ideas I’m slowly working out that I’ll share as they’re ready.
The idea is to create the animations, then bind the individual frames into their own books to get the experience of sequence in 2 different states.
-JD
I’m just going to keep chugging these out. This will be half of the completed books that are made. If this seems repetitive to you, just imagine hand cutting and sewing them. Let alone, scanning, cropping and coding to post here. I did add a slideshow though.
Page 3
“Angle”
Continue reading
Same series as last week. Set 2 of 10.
Cover:
Page 17:
“Truncated Octahedron”
Page 18:
“Rhombicuboctahedron”
Page 20:
“Pentagonal Icositetrahedron”
Page 21:
“Rhombis Dodecahedron”
Page 23:
“Triaugmented Hexagonal Prism”
Page 24:
“Hebesphenomegacorona”
-JD
This is a painting that has gone through a few variations over the past 8 months. I posted the first stage of it here : http://darteboard.com/2012/05/10/bskip-big-sketch-in-progress/ last May. I had a conversation with our own Toni Tiller about it and she exhibited once again her insight with a suggestion concerning the editing of an unresolved area of this abstracted design. The painting successfully translated form, color, value through rhythm and movement but became confused and clunky in the ‘head’ area. I repainted that territory and pulled it into a more tangible architecture. Its done, finally.
This weekend I finally finished all the interior pages for a set of 10 art books I’ve been plugging away at all month. I still have to finish the covers and bind these, but I am pleased to be able to show these off for the first time.
Here is set 1 of 10. (I’m skipping straight to the Polygons this week because I showed off the basic set of Polygons last week.)
Page 11
“Hexahedron” (aka Cube)
Page 17
“Truncated Octahedron”
Page 20
“Pentagonal Icositetrahedron”
Page 21
“Rhombic Dedecahedron”
Page 23
“Triaugmented Hexagonal Prism”
Page 24
“Hebesphenomegacorona”
This brings us to the end of the book. What follows is the beginning of the book, which was duplicative of last week’s post, so relegated to the end.
In researching these, I learned a lot about geometry that had been forgotten in the long years since high school. I chose the selection and order that I did to try to maintain some of the logic that exists within the mathematics behind these forms. I’m sure that understanding this logic would help viewers appreciate what is being presented, and I’m tempted to go into depth on the issue, but this is art, not a math textbook, and at a basic level I think I prefer knowing that the viewer can find the information out for themselves or simply appreciate them as they are.
In future weeks, hopefully I’ll be able to post the covers and photos of finished books with the list of pages.
-JD
As I noted last week, I’ve been working a lot with 3D shapes. In that post, however, I leaped straight into the middle of the organized fashion I’m trying to think about these things. Before getting there, it’s necessary to understand 2D shapes (and probably before that, lines). 3D shapes are more interesting though.
So I give you, set 1 (of 10) of Polygons, 3-8 sides (all pieces are 6 x 4.5 inches):
The great thing about these is that with 10 sets, I can milk this type of post for 9 more weeks if I want to!
For most of these I intentional skewed the alignment of the shapes because I reject your paltry notions of a proper frame of reference.
-JD